Rapid Insights: The Decameron Thrives on Dark Comedy and Medieval Mayhem
Netflix recently premiered a hilarious new limited comedy series and it’s already climbing the service’s Top 10 list. Loosely based on a bawdy and irreverent medieval short story collection, the show follows a group of nobles and their servants in 1348 Florence as they attempt to hide from the deadly Black Plague in a wine-soaked countryside villa.
Here’s what you need to know about The Decameron:
Vault uses index scores to describe the impact a given story/theme/element will have on specific KPIs:
≤79 Disappointing 80-89 Challenging 90-109 Average 110-119 Promising 120+ Outstanding
Who’s been tuning in for this historical satire?
We’re seeing a gender-balanced viewership that leans toward men (53%) and is mostly aged 30+ (69%), nearly identical to the audience for improv comedy Murderville and very similar to those for the dark humor-laced Bodkin, Mrs. Davis, Based on a True Story, and Bad Sisters.
What’s driving the show’s ratings?
Friction at the villa. The series’ premise revolves around a collection of eccentric oddballs trapped in an isolated estate, Big Brother-style, and what begins as a medieval bacchanalia of luxury, sex, and wine quickly descends into Moral Corruption (127) and dog-eat-dog chaos (Chaotic Lifestyle, 119). The group ultimately dissolves into factions competing for control over the property, and Confrontations (139) increasingly escalate into Murder Violence (129). This deliciously soapy turmoil and who-will-survive conflict are what’s piquing viewer interest.
Which aspect of the show keeps viewers watching?
The comedy. The top four drivers for the show’s bingeability revolve around its wry, quirky, and sophomoric jokes, from the dark Twisted Humor (160) surrounding the Black Death to the bawdy Sexual Humor (123) of its many debaucheries to the Arrested Development (132) of its kooky characters. Its class-based Satirical Humor (123) that ridicules the nobility–as well as its connection to a pandemic Outbreak (121)–particularly gives it a sense of modern relevance that audiences appreciate. The Decameron joins the likes of Search Party, Murderville, Bodkin, Mrs. Davis, Based on a True Story, Bad Sisters, and Barry in the importance of its dark, twisted comedy as a key driver.
What type of viewing experience are audiences expecting?
A light and funny one. In keeping with its heavy focus on humor, the show leans into the type of upbeat emotions that generally accompany comedy, such as Amazement (139), Surprise (130), Joy (130), and Awe (130).
How’s the show’s social buzz?
Really good. Though The Decameron’s mid-summer trailer drops caused barely a ripple, the show rocketed to the top of our buzz meter (to 160) with its July 25 full-season release. In addition to the humor, viewers are posting and tweeting about its soapy Multiple Storylines (117) that follow a whole host of bizarrely hilarious characters whose Emotions Run High (117).
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